Camera Packages
and Equipment Rentals
The right tool for the right job…
Red Weapon 8K Monstro
Interchangeable I/O expanders enable you to configure your rig to fit every production type. Whether using your camera in a gimbal, run-and-gun, or studio environment—WEAPON has the ideal solution for your needs. WEAPON’s inherent usability frees you from cables by incorporating peripherals with integrated circuitry, including top handle and LCD display options that connect directly to the DSMC BRAIN. Onboard wireless connectivity allows for remote camera control using iOS or Android mobile devices.
The powerful simplicity of WEAPON allows for easily customizable rigs complete with streamlined peripheral integration. Built-in stereo microphones and speaker allow for even easier audio capture and playback, while the Record Start/Stop button on the WEAPON Top Handle makes controlling your ability to record truly at your fingertips. New intelligent OLPFs with integrated circuitry communicate the necessary colorimetry information to the BRAIN. A cam-action lock makes swapping your OLPFs to customize footage more convenient than ever.
Arri Alexa Mini
Complementing the ALEXA range.
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
Strength and agility through state-of-the-art materials
To maintain ARRI’s famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount – also made of titanium – to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.
Canon C300 Mark II
The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. This powerful new camera also features an expanded dynamic range of 15 stops, improved Dual Pixel CMOS Autofocus, innovative focus assist engineering and CFast recording technology. Redesigned with the help of user input, the EOS C300 Mark II Digital Cinema Camera helps to deliver more creative flexibility for professional studio motion picture production applications, as well as independent productions, TV dramas, commercials, news features, sports and more.
Sony F55
The Sony PMW-F55 CineAlta 4K Digital Cinema Camera features an 8.9MP Super 35mm image sensor, capable of capturing 4K, 2K and HD resolution video in a variety of formats via the camera’s internal recorder. The F55 is among the first digital motion picture cameras with a global shutter, which completely eliminates motion skew and other “rolling” shutter distortions. Sony has designed the F55 as the foundation of an exceptionally versatile, modular system.
Canon C 300
Bringing Canon’s expertise and decades of experience designing sensors, lenses, image processing and design to the world of motion picture capture, the EOS C300 camera has been designed to meet the demanding needs of cinema industry professionals. Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon’s existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets. A SET OF 5 CP2 EF MOUNT COMPACT PRIMES 25-28-35-50-85MMw
Every camera is just a tool in the hands of a craftsman. Not one is best suited for every job, each has strong and week points. Kerry has the experience to understand which camera packages work best for your type of shoot. Call as ask him how to make your next production a success.
Zeiss Compact Lenses
One of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right. With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression
The powerful simplicity of WEAPON allows for easily customizable rigs complete with streamlined peripheral integration. Built-in stereo microphones and speaker allow for even easier audio capture and playback, while the Record Start/Stop button on the WEAPON Top Handle makes controlling your ability to record truly at your fingertips. New intelligent OLPFs with integrated circuitry communicate the necessary colorimetry information to the BRAIN. A cam-action lock makes swapping your OLPFs to customize footage more convenient than ever.
Angenieux Optimo 15-40
MAIN FEATURES
- Superb image quality from T2.6 open aperture
- Compact and very light (1.92 kg / 4.2lbs
- An identical center of gravity on all Optimo lightweight zoom lenses enable quick lens interchange
- Perfect homogeneity of color, contrast
and - No ramping, minimal breathing, very fast for 2.7x zoom ratios
- Close focus of (2ft / 0.6m) facilitates shooting in tight locations
- Internal focus, internal zoom, constant lens volume
- Precise and ergonomic focus ring with scale rotation of 320 degrees & over 50 focus marks.
- Interchangeable focus scale ring from feet to meters
- Adapted to extreme production environments (back focus temperature compensation system from -20°C to +45°C)
- Compatible with Optimo 1.4x and 2x extenders
- 21-58mm T3.7 (with 1.4x)
- 30-80mm T5.2 (with 2x)
- Image coverage: S3Available in PL mount. Easily interchangeable to Panavision, Canon EF, mounts
- Compatible with ASU servo unit (integrated motors for FTZ remote control through industry standard control systems
Angenieux Optimo 45-120
MAIN FEATURES
- Superb image quality from T2.8 open aperture
- Compact and very light (1.9 kg / 4.3lbs)
- Identical center of gravity on all Optimo lightweight zoom lenses enable quick lens interchange
- Perfect homogeneity of color, contrast and resolution. Low distortion
- No ramping, minimal breathing, very fast for 2.7x zoom ratios
- Internal focus, internal zoom, constant lens volume
- Precise and ergonomic focus ring with scale rotation of 320 degrees & over 50 focus marks.
- Interchangeable focus scale ring from feet to meters
- Adapted to extreme production environments (back focus temperature compensation system from -20°C to +45°C)
- Compatible with Optimo 1.4x and 2x extenders
63-168mm T4 (with 1.4x extender)
90-240mm T5.6 (with 2x extender) - Image coverage: S35+ (Ø 33.34 mm), expands to Ø 35 mm when used with Optimo extenders
- Available in PL mount. Easily interchangeable to Panavision, Canon EF mounts
- Compatible with ASU servo unit (integrated motors for FTZ remote control through industry standard control systems)dv
Fujinon 20-120mm Cabrio
MAIN FEATURES
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The 20-120mm covers S35 sensor size (Super 35 Film Format – 24.84 x 13.97mm) PL 20 – 120mm on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine-blade iris part of the design as well, creating the most natural-looking imagery possible.
Barrel markings are luminous for visibility in dark shooting situations. Distances are listed in feet or meters and can be changed in the field.
The 20-120mm can be controlled using cinema industry standard wireless controllers, as well as existing Fujinon wired and wireless units. Whether you are from a film background or a video one, the Premier PL 20-120mm offers uncompromising quality and unprecedented flexibility.
Bolt 3000 XT SDI/HDMI Wireless TX/RX Deluxe Kit
MAIN FEATURES
- Compatible with 3rd generation Bolt 3000, Sidekick II, and 703 Bolt
- Professional software features: 3D LUTs, 5GHz spectrum analyzer, manual channel selection
- Dual input (SDI + HDMI) and SDI loop on the TX
- HDMI and Dual 3G-SDI outputs on RX
Tilta Nucleus-M 3-motor Wireless Lens Control System
Features a 1000′ transmission range, and comes with two lens drive motors with built-in wireless receivers, a FIZ hand controller, and two handgrips—one to control focus, and the other iris and zoom. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, which enables you to freely swap or interchange each motor. The motors power by daisy-chaining using the 7-pin cables, and each motor includes a 19mm rod clamp with 19 to 15mm reducing bushing.
The FIZ hand controller allows you to control focus, iris, and zoom, and includes a neck strap. The handgrips feature adapters that enable mounting the controllers onto ARRI-compatible rosettes or onto 25/30mm diameter rods, such as those used with gimbals. The system comes packed in a waterproof hard case that protects your gear during transport and storage.
Easyrig Vario 5 with Gimbal Rig Vest and 5″ Extended Arm
The Easyrig Vario 5 with Gimbal Rig Vest and 5″ Extended Arm is a body-worn support system that is adjustable to support camera rigs weighing 11 to 38 lb. The system works by using a suspension line to support the weight of the gimbal rig, taking the load off your shoulder, neck, and arm muscles, and distributing it across your torso. The tension line is adjustable by turning a screw in the back, letting you dial in the appropriate amount of tension for your rig. The system consists of the Gimbal Rig vest, a Vario 5 standard support bar, and a 5″ extended support arm that has been pre-drilled for the Flowcine Serene. As the name suggests, the Gimbal Rig vest is optimized for use with motorized gimbal stabilizers, providing increased lower back support that allows you to carry weights further away from your body. A carrying bag is also included for convenient storage and transport of the Easyrig system.
SmallHD 703 UltraBright On-Camera Monitor
Though monitoring HD video signals outdoors can be difficult, the SmallHD 703 UltraBright On-Camera Monitor, with its 2200 cd/m² bright backlight, overcomes this environmental difficulty. The 7″ 1920 x 1080 LCD provides a sharp image, ideal for focus pulling and image analysis on set and in the field. Another advantage of the high-brightness panel is the monitor’s ability to preview HDR content. HDR preview extends the display’s dynamic range to portray a greater range of brightness in the image.
A unibody aluminum exterior keeps the monitor durable yet lightweight, while also acting as a heatsink for the internal electronics. The LCD panel itself is protected by a layer of optically-bonded Gorilla Glass, notable for its transparency and toughness. The optical bonding process ensures that blacks are not washed out and reduces the harshness of reflections.
On the sides of the display are the SDI and HDMI I/O. Having dual SDI ports allows for A/B viewing of two different SDI signals, or the secondary port can be assigned as an output for sending an SDI signal downstream to another monitor, switcher, or wireless accessory. All the functionality of the monitor is available via the PageBuilder OS, which provides advanced functionality with a simple and efficient graphical user interface.
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